After photgraphing so many portraits of dancers in an attempt the reveal their character, I thought it would be interesting to try and strip all traces of character away, in a series of photographs that put the physical form at its centre. All the photographs were shot completely out of focus in order to remove the identity of the dancers and leave behind something far more abstract. I’m not convinced that this was successful, as it soon became apparent that the dancers’ bodies, and how they move, are in fact an incredibly legible signature for each individual dancer.